The ecological interplay between the linear and the circular

Environmental educators do not merely criticise explanations, knowledge and understanding for being reductionistic and mechanistic, but also for being linear. In this third blogpost, I would like to challenge the idea that linear explanations and thinking are necessarily dangerous. I will do this not by presenting a methodological argument (for example, asserting that linear explanations are needed or important to generate stable or usable knowledge), but instead through arguing for how it appears in ecologies. This sets me up in contrast to the common trope that ecologies are circular and therefore ecological thinking is inherently circular as well. This is based on a very simplistic notion of what ecologies are.

Relative to a linear view that only sees things in terms of x -> y type interactions, circular conceptions (such as we find in feedback loops, cycles, and so on) is a dramatic improvement. The world is not a series of causal chains disconnected from one another, and treating it as such is highly destructive. But the opposite conclusion, that circularity is what ‘actually’ exists and linearity is an abstract illusion, is itself still an abstraction. Ecological processes involve both circular and linear processes, and the distinction between them is as important as their interplay.

Let’s address ‘cyclical’ processes first. A cycle is a kind of circularity that tends to repeat the same pattern again and again. It is important to consider how pervasive feedback loops actually are. Some might conceive that feedback loops only occur in the relationship between living things, while they are absent in processes like ‘gravity’ and therefore irrelevant when considering the constitution of (say) the cycle of the moon. (Of course, for those holding this view, the cycle of the moon may in turn participate in many other feedback loops generating cycles, so long as living organisms are part of the processes – e.g. menstruation?). However, holding this view is part of the long shadow of the Newtonian picture, which essentially saw gravity as an instantaneous (action-at-a-distance) tug of war between two objects. From the Einsteinian perspective, the gravitational field interacts with itself, and the energy lost to gravity changes the orbit, which in turn changes the gravitational attraction. In relativity theory, gravitational attraction between objects occurs as a feedback loop in time.

Cycles can be considered as feedback loops that generate recurring temporal patterns. When we stop and ask why there aren’t ‘just’ recurring patterns, we take the first step to understanding the importance of linear interactions in ecologies. But before getting there, we need to first address what might seem like two possible answers: 1) change is possible because positive feedback loops destabilise negative feedback loops, and 2) change is possible because different feedback loops (even different negative ones) at different space and time scales disrupt each other. I suggest that while obviously both these cases are true, neither is necessary, and moreover, even if they were necessary, they still do not discount the presence of linearity.

First, let’s consider positive feedback loops. Positive feedback loops exacerbate certain relationships, driving things exponentially towards infinity or zero. They are intrinsically unstable and crash. While it is clear that positive feedback loops generate change and disrupt the balancing processes of negative feedback, if they crash, we are forced to ask why positive feedback loops don’t themselves go extinct? After they all crash, why do they keep coming back?

The reason is because positive feedback loops alone do not explain what gives rise to their possibility from out of a balanced relationship. What is needed is an account of contingency: events that disrupt order and are the conditions for both new patterns of order and of disorder. Such events are widespread, both because systems are never sealed from what is outside of them, and because randomness also occurs from within.

Second, let’s consider circularities interacting between space and/or time scales. Circular conceptions perceive connections missed out when parsing the world into linear interactions. Some might argue that the problem is that a circular interaction is itself an abstraction, insofar as the world is more interconnected, and therefore involved in more kinds of recursive networking than any possible model can capture. From this point of view, what I view as the linear rupture of a given circular process should itself be attributed to how different circularities (in different space and time scales) interact. Surely such interactions happen. However, this does not cast doubt on the existence of linearity in the world. In response to the claim that ‘everything is interconnected’, one reply is ‘well, yes, but not everything is equally interconnected’. Another way of putting this, is that there are different ways in which things are interconnected, depending on the state of the system at a time. For example, some connections reinforce stability, others produce change.

Let’s consider how the integrity of a cell requires it maintains a series of internal and external relations. As it does this, there are events that arise that are not necessary or normal, and possibly deleterious for the cell, such as a temperature shift, a new chemical in the environment, etc. In many cases, these events are utterly new, arising from geological or exoplanetary factors for example. But for the sake of the its-all-cycles argument, let’s assume this shift or chemical has occurred before, say in some long ‘season’ in which they return every several million years. In this case, either the cell type existed back then or its ancestor did. If the latter, it is obvious that however the cell responds will itself be ‘new’ and therefore a real case of linear causality. However, what if the cell type did exist back then? We can imagine that the temperature or chemical cycle might be something it would ‘expect’, and have a repertoire to respond as certain gene regulation patterns kick in that are normally dormant. However, even here, unless every condition remained the same, it is difficult to imagine the cell would behave exactly as it did previously. For starters, other organisms in its environment will likely have evolved, to some extent are approaching this change as ‘new’ by doing new things in response, and altering the cell’s environment. But even if (miraculously) they were not, it is a fact that cells do new things spontaneously even in highly controlled environments. Of course, all of this grants too much: the cell would have changed in many ways in between each cycle.

The case for linearity is clearer when we consider how dramatic contingent events such as Theia smashing into the earth, the development of photosynthesising bacteria, or the evolution of human consciousness, have upheaved the existing order. In these instances, many things go extinct and previously well-operating negative feedback loops either fail to persist or reorganise into less functional relations. But what is also unleashed is the possibility for new relations, and so negative feedback loops between aerobic organisms and photosynthetic ones eventually evolved, while Theia stabilised the Earth’s axial tilt, giving way to more consistent seasons and climate, essential for further life. What will happen in the aftermath of human destruction, and how we are part of the subsequent flourishing is an open question. Single events rupture the order of circularity with opportunities but also many dangers, and nothing is assured.

Single contingent events are linear (they follow a very obvious x -> y causality) and not circular or cyclical. For that reason, it is perhaps wise that environmental educators are suspicious of linearity. Such events are dangerous and full of risk. One of the might wipe us out entirely. But they are also essential and not necessarily dramatic as the examples above suggest. Every gene mutation is a case in point. And it is important to acknowledge that circularity without linearity is just a well functioning machine – which is another concept that environmental educators resist. In fact, what we usually refer to as a ‘machine’ is precisely that which is unable to exapt or adapt to contingent events. Linear events deteriorate or destroy machines. So linearity is the true enemy of mechanism (and mechanism is an attempt at closed loop circularity). By contrast, linearity is intrinsically connected to creativity when it interacts with circular systems.

Part of the confusion, I think, is that there are two common opposites to linearity. It is sometimes contrasted with circularity, but other times with nonlinearity. The meaning of nonlinear is itself vague. In some cases, it means that the maths required to model the systems are not linear equations (in other words, the function has some exponential making it curved, and so on). In other cases, it means something like being intrinsically unpredictable (like the equations from chaos theory). think it is clear from the discussion above circular systems can be nonlinear in the first sense but not necessarily in the second. It is, however, the second sense that is the interesting one: those cases where one event causes another one, and history changes as a result.

Linear and circular concepts of time

There is a common trope that Western time is ‘linear’ while some Indigenous cultures see time as ‘circular’. I think this probably both bad philosophy and bad anthropology. While I admit to ignorance here, I do not see how an Indigenous culture, steeped in close attention to the land and inherited knowledge, would not clearly see how new events come into the scene, even if they emphasise the return of cycles such as seasons and the like. Conversley, ‘the west’, however allegedly linear, has identified thousands of cycles through scientific investigation, circularities within circularities all the way up and down. It is hard to imagine a culture that does not conceive of some interplay between linear and circular time, between what is new and what returns, though they may emphasise these differently in important ways.

Finally, radically ‘circular’ conceptions of time, such as Nietzsche’s (western) eternal return (1882), don’t seem to really help out in ecologising thinking – precisely because linearity is gone. After all, it is because linearity exists that humans can mess up ecological circularity, and it is also because linearity exists that we might turn things around -or not.

References

Affifi, R. (2025). My baby and his beeping box. Ecologising Education blogpost. https://ramseyaffifi.org/blog/my-baby-and-his-beeping-box/

Affifi, R. (2025). Misunderstanding ‘reductionism’ in environmental education research. https://ramseyaffifi.org/blog/misunderstanding-reductionism-in-environmental-education/

Nietzsche, F. (1882). The Gay Science (Kauffman, trans.). Vintage Books.

Between ecologising education and aesthetic knowing

Ecologising Education
We are well beyond the idea that there is a simple relationship between knowledge and action, and that environmental education involves something straightforward like disseminating the ‘right’ information to bring about a more sustainable world. There are too many cases where knowledge simply doesn’t lead to action for faith continued faith in that relationship. And so, in recognition of the partiality and contingency of knowledge, a range of other aspects of the human experience, including thoughts, beliefs, feelings, worldviews, attitudes, and social relations, have been targeted instead, alone or in some combination. However, is it any more the case that the ‘right’ attitude or belief (and so on) might fare any better?

One premise of the ‘ecologising education’ perspective I have been developing is that any and all such aspects are as context dependent and partial as knowledge is, and that practitioners and theorists alike fall into the trap of assume they have found the eco-silver bullet needed to approach the ecological crisis. There are a web of reasons why this might be the case, including the psychological need for simple stories amidst scary confusions, the egoistic need to feel one knows what one is doing or is contributing something unambiguously meaningful, not to mention the fact that the current socioeconomic structure encourages the promotion of confident solutions (like how academics need their ‘take’), and so on.

But the silver-bullet approach is problematic because linear causal relationships between things is highly unlikely in phenomena and is highly likely to be an epistemological simplification that distorts our perception of what is happening. Of course, in a sense the shift to how all these aspects (worldviews, attitudes, knowledge, feelings, etc) are themselves elements of a mental ecology, where what they do (in part or completely) depends on what they interact with, is my own silver bullet. However, where I differ is that I am agnostic about how much even this ‘overall view’ should itself be entertained. It might be ‘true’ as an overall view, but important (or essential) to consider only sometimes to reorient our attention or action in some way. It might be highly destructive if attempted as a continuous perspective. In other words, the ‘ecologising’ perspective applies to itself by considering the ecologising view as itself an aspect interacting within mental ecology.

Aesthetic knowing
What I want to develop here are some connections between this overall view and ‘what’s next’. Although I have written about ways forward (e.g. Affifi 2022, 2024), it is also true that I sometimes leave the reader with ‘it depends’ that might seem to scatter everything into indecisive relativism. I will be clear about some ways forward in what follows, but only after more precisely articulating the ecologising perspective through a concrete example.

If the question is ‘what does this thought or belief or feeling actually do?’, then what is needed is a greater capacity to pay attention to the ecology that it influences and is influenced by. For example, the belief that ‘we should protect nature because of the services it provides’ might do something very different in a room filled mining investors compared to being stated in a ‘deep ecology’ forum. In one case, it might serve to pull people towards more responsible choices for resource extraction, in the other in might ignite judgement and ire at the apparent superficiality and selfishness of the position (though see Contradictions). Of course, these two scenarios are quite contrived, but they are outlined to illustrate the point that in some degree, whatever aspect we choose to work on (beliefs, thoughts, attitudes etc), but also what ever particular kind of that aspect we might cherish (this or that belief or thought or attitude as a favoured way), have qualities and effects co-constituted with the field of interactions within which they occur. And of course, what effect a given element has also depends on the scale we are looking at. For instance, as time passes, the deep ecologist’s judgement may soften into something else, the investor may forget about ecological services and go on to seek some dilution of previously agreed standards.

This outline suggests several things. The first is that effects are ecological and therefore relational, and that how we observe, understand and interact with those effects must be of a kind suited to perceiving and participating in relationship. The second is that despite our best efforts to choose a tool up to that task, the actual relations are vastly complicated and spread across different space and time scales. The third is that as we scale in and out, expanding or framing our perception, we are at risk of introducing quite a lot of fiction into our perception. A frame may cut out a vital effect, whereas stretching out may produce a magnified story that exaggerates a causal effect just because the string of relations might seem feasible.

In the face of these considerations, one key strategy of ‘ecologising education’ is to work on aesthetic knowing (Affifi 2019; 2024). Aesthetic knowing is a word I use to describe the perception and participation in relationship, whether that be the perceived coherence, discoherence (or relationship between coherence and discoherence) between things. This can include anything from the relations between parts of a painting or piece of music, to the perceived quality of relations between myself and others, and the very relations between various mental aspects reciprocally influencing one another in my mental ecology. Aesthetic knowing catches ‘forms’, which means the way things connect together across space and time. But it is also evaluative. Certain gestalts feel beautiful or ugly, and so on, and these felt responses tell us something about the quality of the relations we perceive.

However, because the relationships themselves are more complicated than we can actually perceive, and also because they may themselves be changing in important ways (of their own accord perhaps, or maybe through our interacting with them) whether or not we have homed in on important relations is fallible and itself an ongoing question. Aesthetic knowing does not involve a continuously skeptical attitude towards any perceived pattern, as this would itself permanently disorient the person from their ability to participate in co-constituting healthful relations. Rather, it means that the quality of relations between when we do or do not put our prior perceptions into question is itself part of the process of doing aesthetic knowing. In practice, this also ushers in interplays between confidence and humility, action and reception, repetition and novelty, courage and cowardice, and many others. The ecologising principle of ‘it depends’ also applies to the means by which we evaluate whether ecologising is occurring towards healthy and healing ecologies, or towards some kind of dysecology.

The ecologising perspective can only do certain things as a perspective. As a way of understanding, it is primarily in what we might call the ‘cognitive’ register of thoughts and understanding. This is partly why the question of how much it should be used is a question, because such cognitions have a tendency to get generalised across contexts. And so, while ecologising’s concerns about ratios and relationships are intrinsic to aesthetic knowing, aesthetic knowing can do things that cognition itself cannot. Aesthetic knowing feels quality of relationship whereas conceptual relationships stand outside of the relationship to posit it, consider it, counterfactually engage with it, and so on.

The interplay between the cognitive and the aesthetic has itself an aesthetic aspect and can also be considered cognitively. For example, while aesthetic knowing evaluates the quality of relationships, the cognitive can pull away from immersion in them and ask whether those are the relationships we should be focusing on. Have we scaled too far in or out? Have we considered all who are relevant? This act of separation now introduces new relationships with their own qualities as the tensions, possibilities, connections and questions that can now be felt by virute of the very distance opened up. And so on.

It is also the case that other registers are at stake, which are not at base aesthetic or cognitive, but that interact necessarily with aesthetic and cognitive dimensions as well. For example, with ethical engagement, there might be an ongoing tension between whether I should care for some specific being or whether I should abide by what I think is a universal good. The relationship between my focus on the particular and the universal can be felt aesthetically, and understanding what is at stake when leaning into one or the other or some combination of both is itself cognitive. However, the aesthetic and cognitive registers feed back, affecting one another as well as the ethical aspects of the experience.

Aesthetic knowing and flexibility
Rather than presuming that we should teach aesthetic knowing with the aim of having people be able to effectively ‘home in’ on gestalts and act accordingly, a more flexible attitude is truer to the situation. Being ‘good’ at aesthetic knowing is half about perceiving relations and half about abandoning them. It is about the capacity to hold onto a frame for as long as is needed, but no longer. It is also about sustaining framelessness when the frames available seem misleading or superficial. Moreover, it is about sustaining the flexibility not only with what one is holding and backgrounding as ‘relationship’ in the world, but also towards one’s relationship with aspects of mental ecology. Does our flexibility allow us to sustain the aesthetics of a cognition when appropriate, but to flip to the aesthetics of the relationship between a cognition and its ethical dimension in another? Whenever the perception of relationship is at stake, whether this is within something one is engaging, or between things one is considering, or something else altogether, aesthetic knowing is at stake. And of course, as is always the case in mental ecology, where metalevels instantly arise our of streams of thought, there is also aesthetic knowing about aesthetic knowing: what is happening to the quality of relationships I am actually participating in when I pay attention to the quality of relations in X?

And in this way, whereas the ecologising perspective is the ‘what’, aesthetic knowing is the ‘how’. Both engage, like content and form or theory and practice, in ecological process, and they co-occur and affect one another.

References

Affifi, R. (2019). Beauty in the darkness: Aesthetic education during the ecological crisis. Journal of Philosophy and Education.

Affifi, R. (2022). Ecologising education beyond angels and villains. Environmental Education Research

Affifi, R. (2024). Aesthetic knowing and ecology: Cultivating perception and participation in the ecological crisis. Environmental Education Research

Affifi, R. (2025). Contradictions from within: Beyond angels and villains in environmental education, Ecologising Education blogpost.

My baby and his beeping box

Today my baby (who is nearly six months old) was absorbed with a plastic box that makes different sounds when its buttons are pressed. He would stretch his hand out, press down on a button, stop, and listen to the sound produced. He would wait until the sound ended, and then he would reach his hand back out again. I was fascinated watching him so fascinated. It led me to thoughts about buttons.

A button is a perfectly designed cause-and-effect device. The box has been designed so that various physical and chemical interactions are channelled towards establishing clear, consistent and visible causal interactions. The cause-effect relationship is clear in the sense that it is not ambiguous or multifactorial, it is consistent in the sense that it is reliably reproduced every time, and visible in the sense that the entire set up is designed for a prominent experienced effect.

Four most of the universe’s 4.5 billion year history, and in most places in the universe today, such boxes do not exist even though their underlying components may be present in substantial numbers. This indicates that most combinations of the physical and chemical subcomponents does not lead to a clear, consistent and visible cause-effect pathway. In most cases, causes are interconnected and effects are variable, which is why scientific experiments need to be carefully designed and controlled to extract a predominant relation from its context. For example, some combinations of plastic and metal (say if they were dust) might instead leads to many little nonrepeatable causes, like forming a pile or getting pushed by the hand into some shape, or swept away by wind. In other cases, the causality might be invisible, such as would happen if there were slow chemical reactions happening at a microscope level. Even if the shape was retained by the device was broken, we can imagine the same parts participating in different kinds of causal interactions such as being used as a projectile or a bat. If the plastic were still oil it would obviously have a range of other causal possibilities.

Through interacting with a device with well-defined causal dynamics, my baby is learning to see the world mechanistically. As I define it here, a mechanism is a structure that has reduced the degrees of freedom of its components to ensure the reproducibility of certain (unlikely from a thermodynamic perspective) causal paths. We can see how this operates in the plastic box: all its components are organised to reproduce the relation ‘button pressed -> sound effect.’ This relation is maintained at the expense of other causal interactions through redundancy. For example, I could scrape away bits of plastic or wire, and the device would still function. This means that ‘extra’ matter is engaged is harnessed to buttress a specific causal relation rather than doing something else. This is another way of saying they have been highly constrained and put together in an unlikely way, i.e. that the system has reduced degrees of freedom.

As an environmental educator, I have both learned and instinctive suspicions of mechanistic thinking. It is a common critique of unecological thinking that it is ‘mechanistic and reductionistic’ (though I hope it is obvious that these are not the same thing, and in some tension. On reductionism in environmental education, here). One reason environmental educators are often suspicious of ‘mechanistic’ thinking is that one of the key insights, from ecology to relational pedagogies, is that things are ‘interconnected’. Another is that mechanistic thinking seems to suggest that everything is determined (by its structure or organisation), which goes against the freedom and variability we sense in the living world and that we may also see as crucial for ecological ethics or politics.

I will consider the first aspect of mechanistic thinking first. A mechanism actually does not teach that things are not interconnected. Instead it foregrounds and reinforces a small subset of interconnections. Consider how the button pressed and the sound produced are clearly interconnected. When my baby becomes a child, finds a screwdriver and opens the box, he will see that there are a number of components that are in very specific reciprocally dependent interactions that underlying the translation of button pressing into sound. But what mechanisms teach by virtue of foregrounding certain interconnections is that others do not exist or are not important. This happens because the mechanisms has redundant features, as discussed above, that ensure robustness against perturbation from other things, and a buffer against diverse causal interactions. So, precisely because a mechanism is able to show a causal pathway so consistently and clearly, it also obfuscates or diminishes other causal interactions. This is part of the meaning of reducing degrees of freedom.

Before turning to the second aspect of mechanistic thinking mentioned above, I want to point out that even freedom or indeterminacy, even the most robust mechanism teaches my baby something about ’emergent properties’. Emergent properties can be defined in many ways, and are a complicated philosophical topic with many facets (just like mechanism), but for the sake of this discussion I define it as features that unexpectedly arise when material components are configured in specific ways, and that are not aspects of of those components in isolation. In the case of the plastic box, my son is witnessing that the organisation of matter leads to things happening that are unlikely otherwise. This will become clear when he eventually breaks the toy and realises there are vastly *many* possible broken states compared to states that function.

The second feature of mechanisms mentioned is the sense that if something is mechanistic it is therefore deterministic. The case of the plastic box may be quite deterministic and therefore re-enforcing some particular notions about how things work in the world. But many mechanisms that he will encounter are not so fixed in what they do. While all mechanisms reduce causal pathways when compared to the disorganised bustle of underlying atoms, some mechanisms produce emergent properties that do still have indefinite possibilities. For example, a guitar is a mechanism constrained to produce sound but this is clearly an ‘enabling constraint’ that can generate countless kinds of sound in concert with a person’s skill development in drawing them out. Living organisms can be considered mechanisms insofar as the constraints of their anatomy and physiology create entities that behave unpredictably and learn. From this, one might then think a mechanism is something where the underlying components are ‘deterministic’ even if the macroproperties appear not to be, and that those properties are therefore an illusion. But mechanisms don’t even need to have fixed components to be mechanisms. Sometimes stochastic probabilities are sufficient (like how intrinsically disordered proteins provide an indefinite ‘range’ of possible structures that feed into what kinds of broader organismic structure and behaviour are possible).

One might think a kind of appraisal of good vs bad mechanisms is possible, and be wary of having a child exposed to too many of the bad kind for fear of what they may be tacitly learning from them. But it is tricky to define what those might be. For example, from the discussion you might be attracted to the idea that indeterministic mechanisms are to be favoured educationally because they reveal contingency and interconnectedness more clearly. A caution against this is that many indeterministic mechanisms are likely problematic too (for example scrolling Youtube channels is novely generating), while on the other hand it may be that acquaintance with clear and consistent mechanisms is actually helpful for emphasising how life is different from such typical machines. What seems crucial is the kinds of questions and discussions that surround different kinds of mechanisms so that the presumption that the world is ‘just’ or ‘ultimately’ a machine is challenged: either through realising cases where it is not, or by challenging presumptions about what it means to be a machine, or both.

Scope not scale: How scientific disciplines differ

(This is the third instalment in a series reconsidering the relationship between physics and “higher level” or emergent sciences. The others are here and here.)

A physics teacher recently told me that physics studies the very small and the very large. It’s a flattering folk definition, but if both ends, why not the centre? Why bind the grandest and most intricate scales into one discipline while leaving the middle to others? The real dividing line isn’t scale but scope. Physics generates the most generalisable descriptions and explanations.

By “generality” I mean a family of traits—breadth across materials and taxa, invariance under interventions and background changes, range across scales, and applicability beyond special set-ups. In these ways, electromagnetism scores extraordinarily high; homeostasis scores lower. Of course, it remains powerful within organised systems that satisfy its boundary conditions (Polanyi 1968). In this view, disciplines are profiles of generality, not boxes of subject matter.

This is about explanatory scope, not causal priority. Electromagnetism is certainly necessary for what cells do, but it is not sufficient to explain where and when mitochondria arose. That requires organisational closures, ecological niches, and histories—enabling constraints that actualise particular forms from the many physically possible ones. For more on this, visit my earlier post.

A mitochondrion or a homeostatic system arose through a combination of underlying causes and contingent contexts. Sometimes contexts create and ramify differences. For example, in an embryo, a cell at the centre encounters different signals than one at the edge; those differences cascade into differentiation, leading to cell specialisation, which diversifies context for the cells still further. In other cases, contexts buffer underlying differences, such as how morphogen gradients, membranes, and feedbacks stabilise some micro-trajectories over others. But in either case, the point is clear. The ‘middle’ of the universe, the place physics is seen to hand over to other disciplines, is where bottom-up causes and constraining contexts interplay. This is almost an inevitable consequences of being in the middle, of being made up of small constituent parts and participating in the co-constitution of larger entities.

One might assert physics is “special” because it is more general. But the idea that scientific knowledge is more important if it can be applied across more situations comes from a specific understanding of the purpose of knowledge. The more generalisable sciences are by definition less context dependent (or not context dependent at all) so they are also most amenable to prediction and manipulation. If we see the sciences as a spectrum between the nomothetic and the idiographic (Affifi 2019), we can also see that knowledge has different roles across the spectrum. Physics studies what is highly similar across contexts. On the other end of the spectrum, we have phenomena that is nearly absolutely unique and/or in a rapid process of unanticipated change. Across the spectrum, similarity and difference coexist in patterned ways. Between uniqueness and uniformity lie themes with variations: members of a species differ, yet share form. Where cross-context similarity is high, patterns tend to be stable and mathematisable. Where organisation and feedback dominate, sometimes richer mathematics or mixed-method modelling can capture what is happening. The world of precision medicine lies somewhere in this murky middle.

However, as we move towards the increasingly idiographic, manipulation becomes more risky and indeed stops making sense. For example, applying highly general knowledge inside idiographic settings brings side-effects when contextual relations are overlooked. This is one of the cardinal sins of our age of ecological disaster. But going further, as knowing increasingly becomes a kind of encounter with what is singular and unique, the desire to manipulate (wise of side-effects or not) becomes increasingly unthinkable. Along the spectrum, science can foster curiosity, admiration, care, gratitude, humility — and informed ignorance, as when new knowledge reveals uncertainties that were previously invisible. But it also help us recognise the limits of “knowing” as a way of engaging the world when conceived in its usual way of seeking stable explanations and expectations. We begin to think about knowing at this farther end as a mode of encounter, intimacy and participation.

Of course physics also contains diversity—phase transitions, chaos—just as biology contains recurring motifs—homeostasis, modularity, canalisation. We need to be careful about what we are claiming. However, even here the difference is clear. In biology, knowing the metapattern is not sufficient for predicting the phenomenon. We can understand homeostasis in abstract but be continuously surprised at the different ways in which organisms have evolved it across the kingdoms of life. Modelling faces trade-offs among generality, precision, and realism (Levins 1966): push one corner and you typically give on another. Physics often optimises generality (and precision) via abstraction; biological models often trade some generality for organisational realism or case-level precision.

Perhaps all I am doing is asserting that there is indeed something “special” about the special sciences. I think there is. But I am not saying that utilitarian exploitation is the only value of physics, even if it is perhaps the dominating one nowadays. I don’t want to be reductionistic about reductionism. But even within physics, a fixation on manipulation can occlude other human possibilities that general physics can offer us from the sense of its sublime universality (Affifi 2024) to the very mysteries it confronts us with when contemplating the relation between our living, feeling world and the necessity of natural law. The point isn’t to enthrone a level, but to recognise different profiles of generality and the different virtues and limits that come with them.

References

Affifi, R. (2024). The ecology of sublimity: Education between existence and the ungraspable. Environmental Education Research.

Affifi, R. (2019). Restoring realism: Themes and variations. Environmental Education Research.

Levins, R. (1966). The strategy of model building in population biology. American Scientist.

Polanyi, M. (1968). Life’s irreducible structure. Science 160(3834), 1308-1312.

Rewilding biology education: The capricious in the curriculum

Rewilding biology may certainly involve more transects, ID keys, multisensory exploration, and outdoor time. However, I argue a much more pervasive transformation is needed. In a nutshell, the problem is that while the living world as directly experienced might seem wild, classroom explanations hardly acknowledge the role that wildness plays throughout biological processes. With the exception of “genetic mutations” in natural selection and antibodies in the immune system, the overall lesson students learn about the biological world is that it is fundamentally composed of functional and dysfunctional mechanisms. This is out of step with what scientists observe a multiple biological levels of organisation, where in each case, the capricious and the coordinated combine.

Consider that it is now known that most proteins are “intrinsically disordered”, constantly fluctuating between indefinite ranges of configurations, and disrupting the notion that enzymes and signalling molecules are predictable mechanisms. However, in the Scottish (as elsewhere) high school biology classroom, proteins are described as having fixed structures altered only by external factors. Proteins are hardly unique. Scientists also know that most genes are sometimes (when?) ‘alternatively spliced,’ with some genes capable of producing thousands of different protein variants. An indefinite number of proteins, each which can produce an indefinite number of structural conformations. (And even between transcription and protein synthesis, there are several other wilding processes (such as post-translational modifications), which I will ignore here). I will also ignore the synergistic interaction between these various processes (Niklas et al. 2015).

The point is that from genes, to cells, tissues, organs, organisms and ecologies, within and between each level arises both new structures and regularities, and new kinds of indeterminacy. Such open-endedness not only enables more diverse functionality, but also the possibility of new functions to accommodate unpredicted situations, and is key to the resilience, creativity, and evolvability of life. This is not only happening in the long, slow and invisible timeline of Darwinian evolution. It is happening right now as each organism around you (and you, as well) is engaging with a specific situation that, in significant or nuanced ways, has never occurred before. We all need a repertoire of possibilities up our sleeves.

Common-sense intuitions are right, life is wild. When in the forest or the field, we see themes, like “oak” or “squirrel” or “inkcap mushroom.” A biology student may come to believe that the oak tree is merely the expression of a genetic programme modulated by ‘the environment’, or the squirrel simply performing preset instincts to pass on its genes. But in direct experience we can feel each particular being’s uniqueness, and sense its freedom. One reason why field studies are important is that they provides direct encounter with a wildness that is pervasive, yet occluded in the presentation biological process at other levels in the curriculum. It can teach us about the nature and role of the capricious, and give us clues for what to look for as we rewild our various mechanistic explanations.

There is no pedagogical or ethical justification not to foreground wildness in biology curricula, but students exit Scottish (and other) education system believing “properly functioning” biology is fundamentally mechanical. I can think of two main reasons why mechanistic explanations persist despite much evidence. The first is habit. In the 20th Century, much of biology tried to achieve rigorous scientific status by producing causal explanations modelled on a Newtonian worldview. The momentum of this aspiration is still felt in vestigial biological metaphors, textbooks, and modes of reasoning. The second is economical and practical. Industries benefit from finding more or less reliable mechanisms, because they can be harnessed or manipulated in various ways. I think these two reasons co-conspire in ways that are not to the ultimate benefit of students, nor society and nature. Mechanistic presumptions unhelpfully distort how people approach diverse contemporary issues, from ecological management to biotechnology. Our pedagogies too become mechanistic.

And yet, even here we should expect life to be rewilding our efforts. The mechanistic conservation scheme will give rise to unanticipated ecological developments, the biotechnological intervention to unconceived side effects, and the classroom dynamic will quickly show us that our mechanistic approaches are hardly performing the functions they were intended for.

Confronting ecologies and identities through Trickster Pedagogy

(this post is my contribution to a co-authored AAACS presentation with Nathan Hauser, May 12, 2023).

Sometimes Tricksters throw themselves under their own bus. I once brought Starbucks coffee to drink during a lecture on the impact of economic globalisation to Scottish students. Feigning nonchalance, I continued to teach as normal. But I was enlivened with anticipation, waiting for the contrast between my actions and my topic to be discovered. 

But what if no one noticed? Trickster Pedagogy is only just beginning. Do I make the cup logo more visible? Or take more frequent sips to increase the chance of it being seen? Maybe I should break the class into groups, tasked with investigating how globalisation has creeped into our learning space. (Their Canadian teacher might then get spotted). Or do I let it go, accepting some students have observed it, and not all educational experiences require my guidance to digest?

If discovered, the pedagogy continues. Do I steer how students interpret the dissonance? If so, when and how? Do I eventually confess to the setup? Will doing so serve the ongoing meaning-making of the experience? Keeping silent may foster a skeptical attitude towards experts, or a need for students to scrutinise their own contradictions. But it might also generate apathy if students deem the problem is too ubiquitous to change. It might normalise the idea that it is ok to do the talk but not the walk, or at least the idea that it is normal to have such abnormalities in one’s (apparently?) socially conscious teachers. Admitting to the set-up might suggest other tricks are in store, “easter eggs’ like in a Stanley Kubrick film, and raise sensitivity and attention in general. Or it might foreground trickery as a teaching method, and stimulate my students’ desire to experiment with this pedagogy in turn. It also might re-establish my possibly jeopardised authority, for better and worse. My ego might compel me to confess, even if this conflicts with my pedagogical wisdom.

Trickster Pedagogy role in ecologising education

The hidden curriculum of school systems is itself tricking us into unecological ways of thinking, doing and being, even if it is ‘about’ ecological topics. Luckily, trickery is itself a way out. Here I outline two ways Trickster Pedagogy exposes and/or disrupts unecological educational patterns, and possibly reorients them more ecologically: 1) the way it exposes the relationship between explicit and implicit; and 2) how it can confront students with ecological levels and paradox. For each, I will briefly outline how Trickster Pedagogy works, give examples, and explain why it is important for ecologising education.

  1. The explicit, the implicit and the complicit

Trickster pedagogy counters the growing trend of explicit learning intentions and reduction of ambiguity in education. This approach risks habituating students to neatly structured learning, overlooking the unpredictable and complex nature of the real world. The world isn’t organized into easy propositions or models. To think otherwise is itself a terrible trick. It’s full of surprises, uncertainties, and ambiguous phenomena requiring patience and comfort with uncertainty. “Explicitification” can reduce people’s resilience in facing life’s inherent uncertainties and reduce our ability to sustain attention towards ill-defined situations or problems. It can also foster the misconception that uncertainty is insignificant or controllable in learning, and limit our capacity to appreciate the evolving, tacit nature of both human and non-human worlds—an urgent concern for educators navigating the complexities of the Anthropocene. 

By merging pedagogy and curriculum, trickster pedagogy reconnects the means and ends of learning, fostering a more holistic understanding of the world around us.

  1. Encountering koans

A koan is a short anecdote which sometimes presents a monk’s cryptic response to a novice’s question. One, for example advises “if you meet the Buddha, kill him.” Koans show the value some Buddhist traditions place in answering by not answering at the level expected by the asker. The answer provided introduces an ambiguity or a paradox which forces the asker to consider the relationship between question and response, and to confront unconscious assumptions underlying the question in the first place. Many koans are not accessible to casual readers because the topic engaged is not a living problem for them. Indeed they are rooted in particular contexts of Buddhist practice. For a Trickster Pedagogue, the question is how to set up koan-like confrontations between a students’ expectations and alternative ways of handling what they are exploring.

As educators, we know explicit and implicit curricula are in constant interplay, one affecting the other, as what we do and how we do it co-inform one another, and as both interact with ourselves and our students across time. We can disrupt explicit curricula explicitly, by creating an expectation and then challenging it, in ways our students know is intended. Or we can disrupt implicit curricula implicitly, such as when we shift the tone of the room by changing our voice or turning off a light, without ever explaining what is going on. 

But we can also play with congruence and incongruence across these modalities, creating explicit expectations and shirking them through how we implicitly engage with those expectations; or we can let implicit framings provide a context that we then defy explicitly. Like koans, the educational experience operates cross-modally, revealing not only that the content of some expectation leads astray, but that even the style, logic, habit, or some other hidden subordinate supportive structures of that belief were themselves complicit.

Experiencing crossmodal relationships and indeed incommensurabilities acquaints the student and teacher to the kinds of shifts entailed in ecological thinking. For example, upon hearing an environmental educator articulate that ‘the problem with the current globalising zeitgeist is that people are operating in a mechanistic worldview. They see things in linear cause and effect relations. If only they saw things more holistically, we could transition towards sustainability’, the trickster pedagogue might ask: ‘that is a nice explanation for what is happening. What ‘cause’ do you propose to get to this holistic worldview?’ The ultimate solution to this question is not to provide such a cause, which is directly asked for in the question, but to realise that the framing itself relied upon the very kind of thinking it was calling out. This would be a koan-like trick.

Trickster pedagogy and classroom relationships

Being a trickster can seem scary to some teachers because of the different kinds of relationships and responsibilities it brings out. In this section, I present three different relational dynamics that can arise through trickery: 1) how trickery can magnify and expose teacher vulnerability, 2) how it can threaten and restore trust, and 3) how it develops and makes transparent the ecological nature of ‘teacher identity.’ These situations are rich for critically interrogating and redeveloping more flourishing relationships with self, other humans, and the more-than-human.

  1. Making oneself vulnerable

Like telling a joke, or acting out a role (themselves often tricks), tricks can fail. Setting up an experience which risks landing flat is more self-exposing than some other pedagogies. Further, we might intend our tricks to open scenarios electrified with drama or excitement, but this depends not only on the skill of our execution but on the “buy-in” from our students. Students’ lack of emotional engagement can be highly embarrassing or feel like rejection. When our tricks involve topics in which we are ourselves emotionally invested, especially those pertaining to our highest values, these feelings only magnify. And so teachers might resist the drama for fear of such vulnerability. 

Cultivating the capacity to be vulnerable, and to support another when vulnerable, is important for a world in turmoil. The illusion of control exacerbates the ecological crisis. In our experience, with an open attitude, the occasional failed trick can deepen classroom relationships, humanising the teacher in the eyes of the students, fostering a learning community, and disarming the space of what’s then possible.

  1. Threatening and developing trust

That said, tricks can also be emotionally disruptive and lead to socially complex situations for a teacher to navigate. I remember the time two experienced teachers taking a professional development Master’s course with me became quite hostile after a trick. I had set a task where students were told their online discussions would be assessed according to a rubric that would be provided. As the online discussions progressed, a student soon enough raised the question: “How can we know if we are doing this discussion correctly if we haven’t been given the rubric?” After letting the question sit for a while, I jumped in: “Yes, how would you know? What does good quality mean to you given your insights so far?” Answers from students trickled in at first, but gradually the discussion thread was tumbling with momentum, splintering off further thoughts and questions not merely about ‘quality’ in this context, but also about the function of assessment. After the online discussions, we reconvened in class, and I said, “I told you a rubric would be provided, but I didn’t say who would be creating and using it to evaluate your work.” My students soon realised what was happening. Response ranged from amusement to anger, highlighting assumptions about the nature and purposes of education. Confrontation with implicit assumptions can be visceral in a way not easily achieved through other pedagogies, so important work needs to follow to make sense of the experience and rebuild trust. In some way, this means being even less of a trickster than the average teacher, so as to connect at the level of the person and not through our ascribed social roles.

  1. Exploring teacher identities

My Initial Teacher Education students are working out new identities. There are many competing voices on what that means, and some of them do not tend in directions that ultimately sustain and flourish, themselves or others. 

I am interested in what ways ‘teacher personas’ are tricks, and paradoxically how they may actually enable the experiencing, sharing and developing of more authentic identities. If teaching is an art, do we, as Ursula Le Guin suggests, “lie to tell the truth?”  I sometimes reflect on this paradox with my students, as of course, my ‘teacher persona’ is prone to do, opening questions about the nature of the self and relationships.

For example, as a teacher, I have a manner of being, a way I speak and am silent, listen and curate, foreground and background, that is sometimes very different from how I am when not in the classroom. Teaching is a performance. But it is not so simple as to say I am pretending to be something I am not. Sometimes I feel like aspects, or possibilities, of who I am are brought out, elaborated and distilled, through the kind of concentrating space that is ‘being a teacher in a classroom’. Sometimes I ‘try on’ a way of being for reasons that seem to make educational sense. When I feel what it is like, and what kind of self emerges through the subsequent interactions that ensue, I sometimes realise that this way of being, once a mask, is in fact an essential part of who I am becoming, or want to become. Perhaps the fact that this mask suggested itself, and not some other, indicates something of the dialectic between the truth and the trick. Perhaps not. In any case, I experiment with students in an ecological alternative between naive essentialism and constructivist views that might otherwise threaten our capacity to develop teacher identities grounded in deepening values, while inviting the active shared discovery our own true masks. (for earlier reflections on masks, see On teaching oneself).

Thanks to my inspiring friend, the Maestro Trickster, Anthony Weston.

For a later published paper on related ideas, see Affifi & Hensley (2024)

Affifi, R. & Hensley, N. (2024). Trickster teaching and the anthropocene: Disrupting the explicitification of pedagogy, people and planet. Environmental Education Research. DOI: 10.1080/13504622.2024.2434608

 

Artistry as opening to the heart of educational tensions

Like artists, teachers face situations where they must make sense of and respond to dynamic tensions. For artists, this may involve things like the interplay between light and dark, detail and blurriness, foreground and background, and, of course, the relationship of these tensions with one another. Educators may have versions of these same aesthetic problems, but unlike the artist, they occur within educational situations and can be thought of as educational tensions. Educational tensions are complex problems which involve grappling with, and possibly dialoguing between diverse or contrasting factors that matter educationally. When and how do I bring myself into my teaching, and when do I hold back from doing so? When do I quietly support a student who is lacking confidence, and when (and how) do I challenge them? When and how do I resist department and school authorities’ plans or practices? And so on.

One approach is to collapse the tensions, perhaps by concretising them into “if x, do y” algorithms. Another is to embrace the chaos by concluding that it simply a matter of ‘balance’, which often ends up being whatever compromised position one ends up taking, retroactively justified. Sometimes we surrender to an ad hoc alliance between our motivations to control and our desire to abdicate responsibility. While it is inevitable (and good) that we develop habits thinking and action that categorise similar situations together (and from which arises the possibility of categorical responses in turn), two complex situations may be similar along many key dimensions but require very different approaches. Complex dynamic situations have too many parts, ill defined parts, and are changing on their own and through our interaction with them. When to go with existing habits and when to doubt them? Another educational tension.

Getting a sense of how things hang together and develop, where they might go, and one’s place in the ecology, is an ongoing aesthetic process, and responding requires artistry. But what is required to respond with artistry, and what does it mean for teacher education programmes? Artistry too is a kind of alliance between intervening in situations and letting things be. But it is hardly ad hoc, nor can it be smothered by the word ‘balance’. Artistic resolution is not some comfy ‘it depends’. It does depend, preciously so, but sometimes the situation calls one to take risks so extreme they fall outside even the boundaries we thought defined the tension. Other times not. What guides how even this educational tension –between doing and letting be– comes together, and how to know if we have been led astray? What guides an artist? What guides a teacher?

Teacher educators might begin by telling student teachers about the complexity and need for artistry. I think this is not likely to be effective (for several reasons). Nor would simply ‘modelling’ artistry in one’s own practice suffice (also for several reasons, starting with it not being clear whether ‘modelling artistry’ is an oxymoron: to model it well, must forget we are modelling?). Both telling and modelling may be necessary, but neither are sufficient. They do not cut to the heart of the matter.

I suggest attending to the heart of educational tensions is deeply interconnected with attending to one’s heart, and that this is where teacher educators should start. The perception of an educational tension is felt as a tension in one’s body. Sitting in a problematic situation means sitting in uncomfortable feelings. Conversely, perceiving and attending to the problems that call us connect us to what we care about. Our educational tensions are not generic, and they find us.

The relationship between an educational tension we perceive and the corresponding tension we feel is the context for the possibility of artistry in teaching, but also why artistry is too often evaded. It sometimes hurts to be so called, but it is the kind of gratifying pain that draws the artist back to her easel or fretboard.

We sometimes settle on a solution that addresses the tension arising in our body rather than the situation our heart resonated with and called us to attend. We forget the cord. We deny the invitation. Sometimes this means we flee entirely, but often it means we decide some course of action is “good enough” and release ourselves from the burden of its presence. Exhaustion and fear (of uncertainty, failure, embarassment, etc) can also drive teachers (and the education system generally) towards premature resolutions. Competing pressures on time and a culture that does not value deep attention co-conspire with this drive towards goodenoughism. “Good enough” is sometimes good enough, especially when responding to tensions we face from tasks imposed but meaningless. But goodenoughism can be bad faith, a sleight of hand trick we concoct to lose contact, with our selves and with the other in a single puff of smoke, without seeing clearly that we have done so.

The kind of attitude one has towards what one works with contours the space of possibilities for engaging with it. For example, being fearful contorts how we are able to face and engage with uncertainty, whether we are willing to change opinions, ‘stick to our guns’, or be open to otherness, not to mention our stamina in holding genuine and ongoing concern for where it is all going. Unlike fear, care is an emotion/attitude that orients towards tensions differently. If we care about something, we will not settle on a solution that is simply good enough to calm us into not worrying about it. An artist that cares about a piece may rework a painting for hours and days even if they had thought it was ‘almost finished’. Artists do not aim for ‘good enough’ in what matters to them. They are guided by tensions in what they work with, and will not settle on shortcuts that anaesthetise their engagement too early. They keep themselves connected, and com-passion orients their endeavours. (This does not imply ‘perfectionism,’ which itself denies artfully encountering the tension discussed earlier, between intervening and letting things be.) The attitude artists manifest immerses good teachers too.

But why care, especially if it can lead to sleeplessness? Or if a ‘perfect’ outcome is not possible anyway? For those who fear caring, care seems like putting oneself in an unnecessarily vulnerable position. It seems like precarious sacrifice. It certainly doesn’t seem relaxing. But those who have devoted themselves to caring know the kind of beauty that can arise when participating in the ecology of the heart: that sacred feedback loop between more deeply encountering and responding to otherness, and more deeply encountering and responding our own selves. We grow as people, into new distinctions, nuances, pains and delights, as we grow more perceptive and engaged in the needs and possibilities of another. Care holds us back from overdetermining or underdetermining a situation. It has us revisit and recalibrate as our ongoing perception of the situation reforms itself.

Maybe teacher education should acknowledge and theorise such matters. More importantly, it needs to make space for student teachers to experience caring through educational tensions. For example, educational tensions arise naturally during placements. Picking up on the tension new teachers feel, mentors and others quickly try to provide solutions. If we believe care matters, then caring for a new teacher’s cares also matters. This raises its own educational tensions for the teacher educator, and along with it the possibility of heartfelt artistry.

Philosophical experiences Part 2: Approaching philosophy’s core concerns


I don’t think it is arbitrary that philosophy comes back, again and again to certain kinds of concepts. As I posted earlier, a philosophical experience can be seen as the disorienting severance from structures of meaning and action that we unreflectively partake in. But not all concepts are equal. The disruption of our unreflected upon use of certain implicit premises is more disorienting than others. Some such structures are relatively ‘higher up’, meaning less is disruptive when called into question. But other notions hold mountains above them, so when they are challenged, the level of possible disorientation that ensues is much more profound.

This is one reason why philosophy returns to questions of ontology, epistemology and ethics, ie to being, knowing, and doing. All trace back to basic categorical orientations of how we conceive and participate in the world, and which underlie language. Questioning ‘being’ is asking things about the nature of what we call nouns, questioning ‘doing’ asks about the nature of what we call verbs. Such questions operate at a fundamental level because they engage the different basic categorical ways in which we encounter ourselves and the world. “Basic categorical ways” means that, while particular nouns and verbs may be disrupted (and disruptive), by disrupting noun and verb themselves, we also disrupts all of the terms within them. ‘Knowing’ is a bit different. It is not represented in any basic grammatical category. However, it is also basic and underlies language because the utterance of any sentence implies an unquestioned cognisance of some sort. To say anything indicates an epistemological attitude towards what has been expressed, that we believe it, think it is true, for example. For example, the sentence “I am not sure” implies some certainty that I am not sure, an epistemological attitude underlying its formation and independent of its particular claim. (There is no getting around this. As soon as I say “I am not sure even if I am not sure” it is then that claim which holds some authority). The basic point is that something like knowing is unreflectively present and widespread, just as are things like doing and being.

The particular philosophical attitude that each of these fundamental and pervasive aspects call upon in us is itself a reflection of the differences between them in daily experience. For example, doing is an activity, and when “I” am doing something, there is a feeling that I am involved in the world, can direct myself, and that my doing has effects. It is because the unreflected subjective experience of doing has these dimensions that it generates ethical questions. Doing in non-subjective experiences may lack certain of these feelings, and attenuate others. For example, a rock falling off a cliff may not seem directed, and its effects are instead foregrounded. So doing in some circumstances can also lead to philosophical disorientation about the nature of causality. Both in turn are very different from the kinds of questions that arise when we think what it means for something to ‘be’. The particular philosophical experiences that arise from questioning what ‘noun’ is, in turn depends on what entity we are considering ‘to be’. Again, for example, whether that entity is a subject or not leads to different philosophical experiences with different attitudes for exploration. The reader will detect an obvious side effect. Philosophical experiences foregrounds how words such as being and doing, seem to have coherent and pragmatically understood meanings in unreflected upon daily life, but actually harbour very different and conflicting phenomena under their umbrella. This realisation is itself disorienting, itself a philosophical experience.

Aesthetics is another big basic area in philosophy, and it is probably not far off to suggest that it has something to do with exploring what it means to live in a world where there are qualities in phenomena, which we call adjectives and adverbs.

There are other perennial philosophical topics, such as what is: thinking, mind, time, consciousness, understanding, truth, explanation, goodness, purpose, nature, and so on. Time (and space) are interesting in a similar way to knowing. Rather than being an instance of a basic grammatical category, or an aspect that arises through questioning such categories, time and space also appear as underlying the possibility of utterance in the first place. Kant called them forms of intuition, and distinguishes them from categories. (He also thought that time was connected to the kind of knowing that broadly underlies awareness and language, above, in the ‘transcendental unity of apperception’). The kind of philosophy that engages time and space is thus expected to have a style different from the rest in this list. The others terms seem to develop from distinctions, approaches, and questions that arise within the base categories. For example, although understanding is different from knowing, it can be thought of as a distinction within epistemology. (Obviously, I am not using the word category in the same way as Kant’s first critique, which consisted of discriminations of categories within knowing. It is closer to the kind of categorisation that led Kant to separate books on epistemology, ethics and aesthetics.)

As far as educational implications, I am not going to suggest some simplistic scaffolding story. It cannot be the case that those uncomfortable with the disorienting feeling of philosophical experiences can slowly be inducted into it in a straightfoward way, such as starting with what I have called ‘higher level’ experiences and moving gradually towards the bottomless depths. Whether or not a disorientation is uncomfortable and avoided is much more personal than that. Some people may be comfortable with the abstract musings of reconstructing basic premises because doing so is ‘armchair’ enough to not have significance in their ‘real worlds’. Or the other way around. Some topics (such as death, which is a philosophical atomic bomb) are philosophical experiences (related perhaps to time and nouns and other things) that can hit harder even if they are at a higher level. The important idea is that it is crucial for educators to at least be aware of the layeredness of philosophical experiences, and to explore and experiment with individual students to see what trajectory towards more profound philosophical experiences is possible.

There is also implications for learning for sustainability, but here I will list just one. If it is the case that most of our unreflected upon behaviour is also destructive, then philosophy can play a role in calling such patterns into question. We might even say that philosophy can disrupt disruptive habits, relationships, and ways of understanding, and in so doing, make space for alternative ways of recoordinating with ourselves, people and the planet. In this way, among others, philosophising education plays a role in the broader project of ecologising education.

‘Philosophical experiences’ in education

I am interested in bringing philosophy into teaching, and believe it plays an important role in all educational activities. There is a field called “philosophy of education,” but this is primarily interested in generating philosophical questions about education. In philosophy of education classes, students philosophise about educational issues. This tends to place emphasis on the role philosophy can play in conceiving (and practicing) pedagogy.

But outside of philosophy of education, students can profit from philosophising topics of any course. Philosophical issues are implicit, explicit or nascent in particular topics within a subject, but are also present in the relationship between subjects, and in the relationship between what is taught and how it is taught (ie curriculum and pedagogy). To bring philosophising into education in this way connects with certain philosophical premises about the purposes and nature of education. For example, philosophising tends to leave students with more questions than answers, and against a view which sees education as the commitment to replace ‘ignorance’ with ‘knowledge.’ Because my main interests are ecological education and biology education, I am always finding philosophical questions to bring out in these areas. While I think there is a place for ‘understanding’ ecological and biological phenomena, I think the artistry of education involves navigating an ongoing situation which involves making and breaking questions and answers. When to linger on one or the other, or to rupture them, is the process I aspire to improve in my pedagogy.

I think academic philosophy is becoming increasingly unphilosophical, so my bringing philosophy into education is not an attempt to get people acting like professional philosophers. My main concern with professional philosophy is that the ‘philosophical experience’ is very often absent or buried, because of the tendency to focus on quality and validity of method, which for philosophers is mainly the development of arguments. The focus on developing better arguments may have its own pedagogical value, but on its own I consider this to be the field of logic, not philosophy. I suggest that bad philosophical positions can be investigated and defended with highly rigorous arguments, while important philosophical positions can be developed through poor ones. While an important philosophical position argued well is perhaps the best outcome, given the choice between the two options in the previous sentence, I would often opt for the good philosophical idea over the good argument. The fact that Plato continues to be read, even though first year undergraduates can rather easily punch holes in his arguments, suggests that this intuition is still held by others, and that despite appearances the philosophical spirit has not yet been destroyed by logicians. His ideas are defended with new arguments, or tweaked and then supported, suggesting method is subservient to vision. Why else do some ideas get resuscitated perpetually, while others are left to fall away?

A master logician might see errors in arguments so quickly that they prevent themselves from ‘experiencing’ the idea being argued for. Also note that a computer could in principle identify errors and develop logical arguments extremely effectively, but is unlikely to be considered a philosophical machine. Perhaps pedagogically, an argument sometimes only needs to be as good as is necessary for a student to take the idea seriously, and imagine what the world is like through that lens. Perhaps it only needs to be good enough for a student to care enough to enter into that world, explore it, and spontaneously develop their own reasons, consequences and connections, –but also feelings– within it. To ‘experience’ the world philosophically.

I used the word ‘philosophical experience’ and ‘philosophical question,’ and claim that these are importance, not only for retaining the philosophical spirit, but also pedagogically. What what is a philosophical question, and what is it like to experience such questions?

A philosophical experience can be characterised in several ways. Here are two preliminary intuitions:

1) A philosophical experience occurs when something one unreflectively assumes, and which forms the basis of daily life, is suddenly the focus of consciousness and our assumed attitude cast in doubt. Such an experience renders to that thing a sense that it is both better known and less well known than it was previously. It appears as ‘better known’ in the sense that our previously unreflected-upon engagement with that idea now appears somewhat dreamlike and superficial. But for this same reason the thing also appears less well known, and mysterious. Such experience is similar to how a word appears odd when we dissociate it from its use by saying it many times. As such, a philosophical experience needs no argument at all. It can even be experienced without words, as gestalt switch, an insight, a possibility, a doubt or a contradiction.

2) Often a kind of jamais-vue, philosophical experience is inherently an emotional experience. It can be exciting, terrifying, lonely, eery, beautiful, confusing, loving, or a combination of all. There is something uncanny and disruptive about philosophical experiences. They are discoordinating and disorienting because such experiences open and then sustain questions which shake basic foundational assumptions we rely on in our lives, and put at risk any sense of firm footing in the world. A philosophical experience feels like an adventure. It can feel dangerous, and people may not be equally open to it, or need different kinds of scaffolding or preparation for it.

One reason philosophical experience / questions is backgrounded in courses (including philosophy courses) is because it seems more difficult to standardise a way of evaluating its quality. I believe I can sense when someone is experiencing a philosophical problem, but it is harder to pinpoint on rubric sheets just what a marker would be looking for compared with, say, the validity of the argument. This leads to another version of Biesta’s (2009) observation that in assessment, we tend to value what we can measure rather than measuring what we value. (We could call this ‘the assessment fallacy’, recognising its resonance with Dewey’s ‘philosophical fallacy’). Another reason it is backgrounded is because students and teachers may have unquestioned assumptions about the purpose of education at odds with cultivating philosophical experiences.

Of course, the development of arguments and the development of ideas cannot be as easily parsed as is suggested here. The act of working out an argument is sometimes a clarification of its consequences, scope, conditions, and connections with other ideas, and so developing arguments can itself be the act of dwelling in a philosophical experience. But even here, I am not so sure the quality of the argument always matters. Sometimes, the arguments provide qualitative depth and texture to the philosophical idea. Other times, I feel it is the time spent reading or thinking up the arguments that sustains the philosophical experience, and that the minimal condition is that such arguments are simply ‘believable enough’ to hold this imaginative space. In any case, argument is subservient to the ideas it develops.

The assumption that it would be otherwise is grounded in the premise that our beliefs are founded and develop primarily through reason, evidence and justification. But we often have a feeling that something is plausible or true, and then work out why we think this is the case. If the philosophical experience is important in education, then the cultivation of plausible possibilities becomes paramount. In addition to reasoning, this requires an engagement with the full dimension of what underlies a person’s openness to novel ideas. This means philosophising education has psychological dimensions too, a rhetorical aspect including context setting, mood, responsiveness, narrative, silence, and much else besides.

For more, click here.

“Vital norms” in biology education

Living organisms sustain, and are sustained by “vital norms” (Canguilhem, 1966). A norm is vital if it is necessary for life. For example, the human body maintains a norm of 37C temperature and specific levels of minerals, despite fluctuations in the external environment. From the point of view of physics or chemistry, vital norms are abnormal. 37C is a far-from-equilibrium state, and so it is only because life can tap into, store and distribute energy, that it is able channel material flows towards norm maintenance.

There are several feedback loops sustaining any norm. First, there is the fact that maintaining a norm keeps the organism alive, which in turn maintains the norm. On a smaller scale, every norm is itself maintained by feedback loops between contrasting tendencies. 37C is achieved through a feedback loop between processes that heat the body, and those that cool it. All norms are dynamic fluctuations around some ideal, optimised point or range. There are also the feedback loops between different norm sustaining feedback loops. Life sustains norms at varying scales, from those norms sustained through gene regulation in a cell to global nutrient cycles, with many interconnecting levels in between. Because organisms sustain such vital norms, life is intrinsically normative.

What maintains a vital norm is valuable, what does not may be destructive. Unlike the world of phyiscochemistry, life exists in a world where healing, pathology, strength, weakness, safety and danger all exist. From the point fo view of physics and chemistry, these words make no sense. They are surely just vague global descriptions of processes that can ultimately be understood by mechanical underlying components. Not so, says biology, and feedback loops are the way out. Pathology is an ontological state on equal footing with chemical reactions or quarks because it is a description of the dynamics of feedback loops. The scale of the atom or molecule brackets space and time too narrowly to perceive these feedback loops, let alone explain them. When an organism’s vital norms are at risk, the feedback loops themselves are threatened. If the norms cannot be sustained, neither can the organism they sustain. And vice versa. Physics and chemistry are only necessary and sufficient explanations for a lifeless world, and will lead to one unless biology restores itself.

It should follow that a basic understanding of different kinds of feedback loops (ex positive, negative, and interlocking combinations of both), and how they manifest vis a vis norm sustaining relations, ought to be foundational for biology education. Instead, many school systems hardly emphasise the pervasiveness of feedback in bio-logic. For example, in the Scottish biology curriculum, it pops up as simply one among many dislocated factoids about this or that phenomenon, such as in glucose regulation or predator-prey cycles. This is not because it is too complicated; many national curricula do demand understanding (or at least the performance of understanding) of many much more intricate biological processes. It seems instead a vestige a 20th century vision of life premised on its ultimately reducibility to chemistry. We are in the midst of a transition towards a 21st view that acknowledges and seeks to understand what and how life accomplishes what it does, on its own terms. While there is basic lethargy underlying resistance to any change, many industries still profit from the 20th century vision. This means the transition to an empirically more satisfying and unifying understanding of the living world is further gummed up. The reduction of life to chemistry ‘works’ for certain purposes, even if it piles on downstream side effects.

The view that life sustains itself through feedback loops that can be healthy or not also implies a different kind of empiricism, which suggests a different approach to teaching biology. Because such feedback loops are often meso-scale (meaning neither too small nor too big for the eye to see), we can perceive the quality of such relationships directly through the senses. There is an ‘aesthetic quality’ to understanding life’s maintenance of norms. For example, we can tell if a plant or animal is sick because we can sense disruption in its internal relations. The role of the senses in perceiving, evaluating and diagnosing quality of biological relationship could be given some prominence amongst the ‘skills’ development science curricula insist upon. This does not mean there is no place for instrumentation or computation in perceiving the health of living systems. It is instead to suggest that our sensory engagement in the world is not detached from the reality of things in the way we suppose when pondering whether a chair ‘really is’ just jostling molecules, or colour ‘really’ just specific frequencies of wavelength. The scale in which many norms are established and sustained is often the same scale we perceive the universe. And this is not surprising, given we evolved our senses in order to sustain the norms of our own physiology and that of the community of others we depend upon. Another angle into making science curricula have more contact with the ‘real world.

Perceiving, understanding, and responding to vital norms should itself be a vital norm which human societies orient around. An education system that does not work towards these ends is itself engaged in pathological feedback loops, while not even providing students with the eye to see the destruction it is complicit in.